полная версия
Редьярд Джозеф Киплинг
Verses 1889-1896
THE FLOWERS
To our private taste, there is always something a little exotic,
almost artificial, in songs which, under an English aspect and dress,
are yet so manifestly the product of other skies. They affect us
like translations; the very fauna and flora are alien, remote;
the dog’s-tooth violet is but an ill substitute for the rathe primrose,
nor can we ever believe that the wood-robin sings as sweetly in April
as the English thrush. —
THE ATHENAEUM.
Buy my English posies!
Kent and Surrey may —
Violets of the Undercliff
Wet with Channel spray;
Cowslips from a Devon combe —
Midland furze afire —
Buy my English posies
And I’ll sell your heart’s desire!
Buy my English posies!
You that scorn the May,
Won’t you greet a friend from home
Half the world away?
Green against the draggled drift,
Faint and frail and first —
Buy my Northern blood-root
And I’ll know where you were nursed:
Robin down the logging-road whistles, “Come to me!”
Spring has found the maple-grove, the sap is running free;
All the winds of Canada call the ploughing-rain.
Take the flower and turn the hour, and kiss your love again!
Buy my English posies!
Here’s to match your need —
Buy a tuft of royal heath,
Buy a bunch of weed
White as sand of Muysenberg
Spun before the gale —
Buy my heath and lilies
And I’ll tell you whence you hail!
Under hot Constantia broad the vineyards lie —
Throned and thorned the aching berg props the speckless sky —
Slow below the Wynberg firs trails the tilted wain —
Take the flower and turn the hour, and kiss your love again!
Buy my English posies!
You that will not turn —
Buy my hot-wood clematis,
Buy a frond o’ fern
Gathered where the Erskine leaps
Down the road to Lorne —
Buy my Christmas creeper
And I’ll say where you were born!
West away from Melbourne dust holidays begin —
They that mock at Paradise woo at Cora Lynn —
Through the great South Otway gums sings the great South Main —
Take the flower and turn the hour, and kiss your love again!
Buy my English posies!
Here’s your choice unsold!
Buy a blood-red myrtle-bloom,
Buy the kowhai’s gold
Flung for gift on Taupo’s face,
Sign that spring is come —
Buy my clinging myrtle
And I’ll give you back your home!
Broom behind the windy town; pollen o’ the pine —
Bell-bird in the leafy deep where the ratas twine —
Fern above the saddle-bow, flax upon the plain —
Take the flower and turn the hour, and kiss your love again!
Buy my English posies!
Ye that have your own
Buy them for a brother’s sake
Overseas, alone.
Weed ye trample underfoot
Floods his heart abrim —
Bird ye never heeded,
Oh, she calls his dead to him!
Far and far our homes are set round the Seven Seas;
Woe for us if we forget, we that hold by these!
Unto each his mother-beach, bloom and bird and land —
Masters of the Seven Seas, oh, love and understand.
THE LAST RHYME OF TRUE THOMAS
The King has called for priest and cup,
The King has taken spur and blade
To dub True Thomas a belted knight,
And all for the sake o’ the songs he made.
They have sought him high, they have sought him low,
They have sought him over down and lea;
They have found him by the milk-white thorn
That guards the gates o’ Faerie.
‘Twas bent beneath and blue above,
Their eyes were held that they might not see
The kine that grazed beneath the knowes,
Oh, they were the Queens o’ Faerie!
“Now cease your song,” the King he said,
“Oh, cease your song and get you dight
To vow your vow and watch your arms,
For I will dub you a belted knight.
“For I will give you a horse o’ pride,
Wi’ blazon and spur and page and squire;
Wi’ keep and tail and seizin and law,
And land to hold at your desire.”
True Thomas smiled above his harp,
And turned his face to the naked sky,
Where, blown before the wastrel wind,
The thistle-down she floated by.
“I ha’ vowed my vow in another place,
And bitter oath it was on me,
I ha’ watched my arms the lee-long night,
Where five-score fighting men would flee.
“My lance is tipped o’ the hammered flame,
My shield is beat o’ the moonlight cold;
And I won my spurs in the Middle World,
A thousand fathom beneath the mould.
“And what should I make wi’ a horse o’ pride,
And what should I make wi’ a sword so brown,
But spill the rings o’ the Gentle Folk
And flyte my kin in the Fairy Town?
“And what should I make wi’ blazon and belt,
Wi’ keep and tail and seizin and fee,
And what should I do wi’ page and squire
That am a king in my own countrie?
“For I send east and I send west,
And I send far as my will may flee,
By dawn and dusk and the drinking rain,
And syne my Sendings return to me.
“They come wi’ news of the groanin’ earth,
They come wi’ news o’ the roarin’ sea,
Wi’ word of Spirit and Ghost and Flesh,
And man, that’s mazed among the three.”
The King he bit his nether lip,
And smote his hand upon his knee:
“By the faith o’ my soul, True Thomas,” he said,
“Ye waste no wit in courtesie!
“As I desire, unto my pride,
Can I make Earls by three and three,
To run before and ride behind
And serve the sons o’ my body.”
“And what care I for your row-foot earls,
Or all the sons o’ your body?
Before they win to the Pride o’ Name,
I trow they all ask leave o’ me.
“For I make Honour wi’ muckle mouth,
As I make Shame wi’ mincin’ feet,
To sing wi’ the priests at the market-cross,
Or run wi’ the dogs in the naked street.
“And some they give me the good red gold,
And some they give me the white money,
And some they give me a clout o’ meal,
For they be people o’ low degree.
“And the song I sing for the counted gold
The same I sing for the white money,
But best I sing for the clout o’ meal
That simple people given me.”
The King cast down a silver groat,
A silver groat o’ Scots money,
“If I come wi’ a poor man’s dole,” he said,
“True Thomas, will ye harp to me?”
“Whenas I harp to the children small,
They press me close on either hand.
And who are you,” True Thomas said,
“That you should ride while they must stand?
“Light down, light down from your horse o’ pride,
I trow ye talk too loud and hie,
And I will make you a triple word,
And syne, if ye dare, ye shall ‘noble me.”
He has lighted down from his horse o’ pride,
And set his back against the stone.
“Now guard you well,” True Thomas said,
“Ere I rax your heart from your breast-bone!”
True Thomas played upon his harp,
The fairy harp that couldna lee,
And the first least word the proud King heard,
It harpit the salt tear out o’ his ee.
“Oh, I see the love that I lost long syne,
I touch the hope that I may not see,
And all that I did o’ hidden shame,
Like little snakes they hiss at me.
“The sun is lost at noon – at noon!
The dread o’ doom has grippit me.
True Thomas, hide me under your cloak,
God wot, I’m little fit to dee!”
‘Twas bent beneath and blue above —
‘Twas open field and running flood —
Where, hot on heath and dike and wall,
The high sun warmed the adder’s brood.
“Lie down, lie down,” True Thomas said.
“The God shall judge when all is done.
But I will bring you a better word
And lift the cloud that I laid on.”
True Thomas played upon his harp,
That birled and brattled to his hand,
And the next least word True Thomas made,
It garred the King take horse and brand.
“Oh, I hear the tread o’ the fighting men,
I see the sun on splent and spear.
I mark the arrow outen the fern
That flies so low and sings so clear!
“Advance my standards to that war,
And bid my good knights prick and ride;
The gled shall watch as fierce a fight
As e’er was fought on the Border side!”
‘Twas bent beneath and blue above,
‘Twas nodding grass and naked sky,
Where, ringing up the wastrel wind,
The eyas stooped upon the pie.
True Thomas sighed above his harp,
And turned the song on the midmost string;
And the last least word True Thomas made,
He harpit his dead youth back to the King.
“Now I am prince, and I do well
To love my love withouten fear;
To walk wi’ man in fellowship,
And breathe my horse behind the deer.
“My hounds they bay unto the death,
The buck has couched beyond the burn,
My love she waits at her window
To wash my hands when I return.
“For that I live am I content
(Oh! I have seen my true love’s eyes)
To stand wi’ Adam in Eden-glade,
And run in the woods o’ Paradise!”
‘Twas naked sky and nodding grass,
‘Twas running flood and wastrel wind,
Where, checked against the open pass,
The red deer belled to call the hind.
True Thomas laid his harp away,
And louted low at the saddle-side;
He has taken stirrup and hauden rein,
And set the King on his horse o’ pride.
“Sleep ye or wake,” True Thomas said,
“That sit so still, that muse so long;
Sleep ye or wake? – till the latter sleep
I trow ye’ll not forget my song.
“I ha’ harpit a shadow out o’ the sun
To stand before your face and cry;
I ha’ armed the earth beneath your heel,
And over your head I ha’ dusked the sky.
“I ha’ harpit ye up to the throne o’ God,
I ha’ harpit your midmost soul in three;
I ha’ harpit ye down to the Hinges o’ Hell,
And – ye – would – make – a Knight o’ me!”
IN THE NEOLITHIC AGE
In the Neolithic Age savage warfare did I wage
For food and fame and woolly horses’ pelt;
I was singer to my clan in that dim, red Dawn of Man,
And I sang of all we fought and feared and felt.
Yea, I sang as now I sing, when the Prehistoric spring
Made the piled Biscayan ice-pack split and shove;
And the troll and gnome and dwerg, and the Gods of Cliff and Berg
Were about me and beneath me and above.
But a rival, of Solutre, told the tribe my style was outre —
‘Neath a tomahawk of diorite he fell.
And I left my views on Art, barbed and tanged, below the heart
Of a mammothistic etcher at Grenelle.
Then I stripped them, scalp from skull, and my hunting dogs fed full,
And their teeth I threaded neatly on a thong;
And I wiped my mouth and said, “It is well that they are dead,
For I know my work is right and theirs was wrong.”
But my Totem saw the shame; from his ridgepole shrine he came,
And he told me in a vision of the night: —
“There are nine and sixty ways of constructing tribal lays,
And every single one of them is right!”
Then the silence closed upon me till They put new clothing on me
Of whiter, weaker flesh and bone more frail;
And I stepped beneath Time’s finger, once again a tribal singer
[And a minor poet certified by Tr – ll].
Still they skirmish to and fro, men my messmates on the snow,
When we headed off the aurochs turn for turn;
When the rich Allobrogenses never kept amanuenses,
And our only plots were piled in lakes at Berne.
Still a cultured Christian age sees us scuffle, squeak, and rage,
Still we pinch and slap and jabber, scratch and dirk;
Still we let our business slide – as we dropped the half-dressed hide —
To show a fellow-savage how to work.
Then I stripped them, scalp from skull, and my hunting dogs fed full,
And their teeth I threaded neatly on a thong;
And I wiped my mouth and said, “It is well that they are dead,
For I know my work is right and theirs was wrong.”
Still the world is wondrous large, – seven seas from marge to marge, —
And it holds a vast of various kinds of man;
And the wildest dreams of Kew are the facts of Khatmandhu,
And the crimes of Clapham chaste in Martaban.
Here’s my wisdom for your use, as I learned it when the moose
And the reindeer roared where Paris roars to-night: —
There are nine and sixty ways of constructing tribal lays,
And – every – single – one – of – them – is – right!
THE STORY OF UNG
Once, on a glittering ice-field, ages and ages ago,
Ung, a maker of pictures, fashioned an image of snow.
Fashioned the form of a tribesman – gaily he whistled and sung,
Working the snow with his fingers. Read ye the Story of Ung!
Pleased was his tribe with that image – came in their hundreds to scan —
Handled it, smelt it, and grunted: “Verily, this is a man!
Thus do we carry our lances – thus is a war-belt slung.
Lo! it is even as we are. Glory and honour to Ung!”
Later he pictured an aurochs – later he pictured a bear —
Pictured the sabre-tooth tiger dragging a man to his lair —
Pictured the mountainous mammoth, hairy, abhorrent, alone —
Out of the love that he bore them, scribing them clearly on bone.
Swift came the tribe to behold them, peering and pushing and still —
Men of the berg-battered beaches, men of the boulder-hatched hill —
Hunters and fishers and trappers, presently whispering low:
“Yea, they are like – and it may be – But how does the Picture-man know?”
“Ung – hath he slept with the Aurochs – watched where the Mastodon roam?
Spoke on the ice with the Bow-head – followed the Sabre-tooth home?
Nay! These are toys of his fancy! If he have cheated us so,
How is there truth in his image – the man that he fashioned of snow?”
Wroth was that maker of pictures – hotly he answered the call:
“Hunters and fishers and trappers, children and fools are ye all!
Look at the beasts when ye hunt them!” Swift from the tumult he broke,
Ran to the cave of his father and told him the shame that they spoke.
And the father of Ung gave answer, that was old and wise in the craft,
Maker of pictures aforetime, he leaned on his lance and laughed:
“If they could see as thou seest they would do what thou hast done,
And each man would make him a picture, and – what would become of my son?
“There would be no pelts of the reindeer, flung down at thy cave for a gift,
Nor dole of the oily timber that comes on the Baltic drift;
No store of well-drilled needles, nor ouches of amber pale;
No new-cut tongues of the bison, nor meat of the stranded whale.
“Thou hast not toiled at the fishing when the sodden trammels freeze,
Nor worked the war-boats outward through the rush of the rock-staked seas,
Yet they bring thee fish and plunder – full meal and an easy bed —
And all for the sake of thy pictures.” And Ung held down his head.
“Thou hast not stood to the Aurochs when the red snow reeks of the fight;
Men have no time at the houghing to count his curls aright.
And the heart of the hairy Mammoth, thou sayest, they do not see,
Yet they save it whole from the beaches and broil the best for thee.
“And now do they press to thy pictures, with opened mouth and eye,
And a little gift in the doorway, and the praise no gift can buy:
But – sure they have doubted thy pictures, and that is a grievous stain —
Son that can see so clearly, return them their gifts again!”
And Ung looked down at his deerskins – their broad shell-tasselled bands —
And Ung drew downward his mitten and looked at his naked hands;
And he gloved himself and departed, and he heard his father, behind:
“Son that can see so clearly, rejoice that thy tribe is blind!”
Straight on the glittering ice-field, by the caves of the lost Dordogne,
Ung, a maker of pictures, fell to his scribing on bone
Even to mammoth editions. Gaily he whistled and sung,
Blessing his tribe for their blindness. Heed ye the Story of Ung!
THE THREE-DECKER
“The three-volume novel is extinct.”
Full thirty foot she towered from waterline to rail.
It cost a watch to steer her, and a week to shorten sail;
But, spite all modern notions, I found her first and best —
The only certain packet for the Islands of the Blest.
Fair held the breeze behind us – ‘twas warm with lovers’ prayers.
We’d stolen wills for ballast and a crew of missing heirs.
They shipped as Able Bastards till the Wicked Nurse confessed,
And they worked the old three-decker to the Islands of the Blest.
By ways no gaze could follow, a course unspoiled of Cook,
Per Fancy, fleetest in man, our titled berths we took
With maids of matchless beauty and parentage unguessed,
And a Church of England parson for the Islands of the Blest.
We asked no social questions – we pumped no hidden shame —
We never talked obstetrics when the Little Stranger came:
We left the Lord in Heaven, we left the fiends in Hell.
We weren’t exactly Yussufs, but – Zuleika didn’t tell.
No moral doubt assailed us, so when the port we neared,
The villain had his flogging at the gangway, and we cheered.
‘Twas fiddle in the forc’s’le – ‘twas garlands on the mast,
For every one got married, and I went ashore at last.
I left ‘em all in couples a-kissing on the decks.
I left the lovers loving and the parents signing cheques.
In endless English comfort by county-folk caressed,
I left the old three-decker at the Islands of the Blest!
That route is barred to steamers: you’ll never lift again
Our purple-painted headlands or the lordly keeps of Spain.
They’re just beyond your skyline, howe’er so far you cruise
In a ram-you-damn-you liner with a brace of bucking screws.
Swing round your aching search-light – ‘twill show no haven’s peace.
Ay, blow your shrieking sirens to the deaf, gray-bearded seas!
Boom out the dripping oil-bags to skin the deep’s unrest —
And you aren’t one knot the nearer to the Islands of the Blest!
But when you’re threshing, crippled, with broken bridge and rail,
At a drogue of dead convictions to hold you head to gale,
Calm as the Flying Dutchman, from truck to taffrail dressed,
You’ll see the old three-decker for the Islands of the Blest.
You’ll see her tiering canvas in sheeted silver spread;
You’ll hear the long-drawn thunder ‘neath her leaping figure-head;
While far, so far above you, her tall poop-lanterns shine
Unvexed by wind or weather like the candles round a shrine!
Hull down – hull down and under – she dwindles to a speck,
With noise of pleasant music and dancing on her deck.
All’s well – all’s well aboard her – she’s left you far behind,
With a scent of old-world roses through the fog that ties you blind.
Her crew are babes or madmen? Her port is all to make?
You’re manned by Truth and Science, and you steam for steaming’s sake?
Well, tinker up your engines – you know your business best —
She’s taking tired people to the Islands of the Blest!
AN AMERICAN
The American Spirit speaks:
“If the Led Striker call it a strike,
Or the papers call it a war,
They know not much what I am like,
Nor what he is, my Avatar.”
Through many roads, by me possessed,
He shambles forth in cosmic guise;
He is the Jester and the Jest,
And he the Text himself applies.
The Celt is in his heart and hand,
The Gaul is in his brain and nerve;
Where, cosmopolitanly planned,
He guards the Redskin’s dry reserve.
His easy unswept hearth he lends
From Labrador to Guadeloupe;
Till, elbowed out by sloven friends,
He camps, at sufferance, on the stoop.
Calm-eyed he scoffs at sword and crown,
Or panic-blinded stabs and slays:
Blatant he bids the world bow down,
Or cringing begs a crust of praise;
Or, sombre-drunk, at mine and mart,
He dubs his dreary brethren Kings.
His hands are black with blood – his heart
Leaps, as a babe’s, at little things.
But, through the shift of mood and mood,
Mine ancient humour saves him whole —
The cynic devil in his blood
That bids him mock his hurrying soul;
That bids him flout the Law he makes,
That bids him make the Law he flouts,
Till, dazed by many doubts, he wakes
The drumming guns that – have no doubts;
That checks him foolish – hot and fond,
That chuckles through his deepest ire,
That gilds the slough of his despond
But dims the goal of his desire;
Inopportune, shrill-accented,
The acrid Asiatic mirth
That leaves him, careless ‘mid his dead,
The scandal of the elder earth.
How shall he clear himself, how reach
Your bar or weighed defence prefer?
A brother hedged with alien speech
And lacking all interpreter.
Which knowledge vexes him a space;
But while Reproof around him rings,
He turns a keen untroubled face
Home, to the instant need of things.
Enslaved, illogical, elate,
He greets th’ embarrassed Gods, nor fears
To shake the iron hand of Fate
Or match with Destiny for beers.
Lo, imperturbable he rules,
Unkempt, disreputable, vast —
And, in the teeth of all the schools,
I – I shall save him at the last!
