Редьярд Джозеф Киплинг
Kipling Stories and Poems Every Child Should Know, Book II

"Are you not Virgo?" said a woman to the Girl. "I sent you flowers yesterday."

"Little sister," said the Girl, flushing to her forehead, "do not send any more flowers, for I am only a woman like yourself." The man and the woman went away doubtfully.

"Now, what shall we do?" said Leo.

"We must try to be cheerful, I think," said the Girl. "We know the very worst that can happen to us, but we do not know the best that love can bring us. We have a great deal to be glad of."

"The certainty of death?" said Leo.

"All the children of men have that certainty also; yet they laughed long before we ever knew how to laugh. We must learn to laugh, Leo. We have laughed once, already."

People who consider themselves Gods, as the Children of the Zodiac did, find it hard to laugh, because the Immortals know nothing worth laughter or tears. Leo rose up with a very heavy heart, and he and the girl together went to and fro among men; their new fear of death behind them. First they laughed at a naked baby attempting to thrust its fat toes into its foolish pink mouth; next they laughed at a kitten chasing her own tail; and then they laughed at a boy trying to steal a kiss from a girl, and getting his ears boxed. Lastly, they laughed because the wind blew in their faces as they ran down a hill-side together, and broke panting and breathless into a knot of villagers at the bottom. The villagers laughed, too, at their flying clothes and wind-reddened faces; and in the evening gave them food and invited them to a dance on the grass, where everybody laughed through the mere joy of being able to dance.

That night Leo jumped up from the Girl's side crying: "Every one of those people we met just now will die – "

"So shall we," said the Girl sleepily. "Lie down again, dear." Leo could not see that her face was wet with tears.

But Leo was up and far across the fields, driven forward by the fear of death for himself and for the Girl, who was dearer to him than himself. Presently he came across the Bull drowsing in the moonlight after a hard day's work, and looking through half-shut eyes at the beautiful straight furrows that he had made.

"Ho!" said the Bull. "So you have been told these things too. Which of the Houses holds your death?"

Leo pointed upward to the dark House of the Crab and groaned. "And he will come for the Girl too," he said.

"Well," said the Bull, "what will you do?"

Leo sat down on the dike and said that he did not know.

"You cannot pull a plough," said the Bull, with a little touch of contempt. "I can, and that prevents me from thinking of the Scorpion."

Leo was angry, and said nothing till the dawn broke, and the cultivator came to yoke the Bull to his work.

"Sing," said the Bull, as the stiff, muddy ox-bow creaked and strained. "My shoulder is galled. Sing one of the songs that we sang when we thought we were all Gods together."

Leo stepped back into the canebrake, and lifted up his voice in a song of the Children of the Zodiac – the war-whoop of the young Gods who are afraid of nothing. At first he dragged the song along unwillingly, and then the song dragged him, and his voice rolled across the fields, and the Bull stepped to the tune, and the cultivator banged his flanks out of sheer light-heartedness, and the furrows rolled away behind the plough more and more swiftly. Then the Girl came across the fields looking for Leo, and found him singing in the cane. She joined her voice to his, and the cultivator's wife brought her spinning into the open and listened with all her children round her. When it was time for the nooning, Leo and the Girl had sung themselves both thirsty and hungry, but the cultivator and his wife gave them rye bread and milk, and many thanks; and the Bull found occasion to say:

"You have helped me to do a full half field more than I should have done. But the hardest part of the day is to come, brother."

Leo wished to lie down and brood over the words of the Crab. The Girl went away to talk to the cultivator's wife and baby, and the afternoon ploughing began.

"Help us now," said the Bull. "The tides of the day are running down. My legs are very stiff. Sing, if you never sang before."

"To a mud-spattered villager?" said Leo.

"He is under the same doom as ourselves. Are you a coward?" said the Bull.

Leo flushed, and began again with a sore throat and a bad temper. Little by little he dropped away from the songs of the Children and made up a song as he went along; and this was a thing he could never have done had he not met the Crab face to face. He remembered facts concerning cultivators and bullocks and rice-fields that he had not particularly noticed before the interview, and he strung them all together, growing more interested as he sang, and he told the cultivator much more about himself and his work than the cultivator knew. The Bull grunted approval as he toiled down the furrows for the last time that day, and the song ended, leaving the cultivator with a very good opinion of himself in his aching bones. The Girl came out of the hut where she had been keeping the children quiet, and talking woman-talk to the wife, and they all ate the evening meal together.

"Now yours must be a very pleasant life," said the cultivator; "sitting as you do on a dyke all day and singing just what comes into your head. Have you been at it long, you two – gipsies?"

"Ah!" lowed the Bull from his byre. "That's all the thanks you will ever get from men, brother."

"No. We have only just begun it," said the Girl; "but we are going to keep to it as long as we live. Are we not, Leo?"

"Yes," said he; and they went away hand in hand.

"You can sing beautifully, Leo," said she, as a wife will to her husband.

"What were you doing?" said he.

"I was talking to the mother and the babies," she said. "You would not understand the little things that make us women laugh."

"And – and I am to go on with this – this gipsy work?" said Leo.

"Yes, dear, and I will help you."

There is no written record of the life of Leo and of the Girl, so we cannot tell how Leo took to his new employment which he detested. We are only sure that the Girl loved him when and wherever he sang; even when, after the song was done, she went round with the equivalent of a tambourine and collected the pence for the daily bread. There were times, too, when it was Leo's very hard task to console the Girl for the indignity of horrible praise that people gave him and her – for the silly wagging peacock feathers that they stuck in his cap, and the buttons and pieces of cloth that they sewed on his coat. Woman-like, she could advise and help to the end, but the meanness of the means revolted.

"What does it matter," Leo would say, "so long as the songs make them a little happier?" And they would go down the road and begin again on the old, old refrain – that whatever came or did not come the children of men must not be afraid. It was heavy teaching at first, but in process of years Leo discovered that he could make men laugh and hold them listening to him even when the rain fell. Yet there were people who would sit down and cry softly, though the crowd was yelling with delight, and there were people who maintained that Leo made them do this; and the Girl would talk to them in the pauses of the performance and do her best to comfort them. People would die, too, while Leo was talking and singing and laughing; for the Archer and the Scorpion and the Crab and the other Houses were as busy as ever. Sometimes the crowd broke, and were frightened, and Leo strove to keep them steady by telling them that this was cowardly; and sometimes they mocked at the Houses that were killing them, and Leo explained that this was even more cowardly than running away.

In their wanderings they came across the Bull, or the Ram, or the Twins, but all were too busy to do more than nod to each other across the crowd, and go on with their work. As the years rolled on even that recognition ceased, for the Children of the Zodiac had forgotten that they had ever been Gods working for the sake of men. The star Aldebaran was crusted with caked dirt on the Bull's forehead, the Ram's fleece was dusty and torn, and the Twins were only babies fighting over the cat on the door-step. It was then that Leo said, "Let us stop singing and making jokes." And it was then that the Girl said, "No." But she did not know why she said "No" so energetically. Leo maintained that it was perversity, till she herself, at the end of a dusty day, made the same suggestion to him, and he said, "Most certainly not!" and they quarrelled miserably between the hedgerows, forgetting the meaning of the stars above them. Other singers and other talkers sprang up in the course of the years, and Leo, forgetting that there could never be too many of these, hated them for dividing the applause of the children of men, which he thought should be all his own. The Girl would grow angry too, and then the songs would be broken, and the jests fall flat for weeks to come, and the children of men would shout: "Go home, you two gipsies. Go home and learn something worth singing!"

After one of these sorrowful, shameful days, the Girl, walking by Leo's side through the fields, saw the full moon coming up over the trees, and she clutched Leo's arm, crying: "The time has come now. Oh, Leo, forgive me!"

"What is it?" said Leo. He was thinking of the other singers.

"My husband!" she answered, and she laid his hand upon her breast, and the breast that he knew so well was hard as stone. Leo groaned, remembering what the Crab had said.

"Surely we were Gods once," he cried.

"Surely we are Gods still," said the Girl. "Do you not remember when you and I went to the House of the Crab and – were not very much afraid? And since then … we have forgotten what we were singing for – we sang for the pence, and, oh, we fought for them! – We, who are the Children of the Zodiac!"

"It was my fault," said Leo.

"How can there be any fault of yours that is not mine too?" said the Girl. "My time has come, but you will live longer, and…" The look in her eyes said all she could not say.

"Yes, I will remember that we are Gods," said Leo.

It is very hard, even for a child of the Zodiac who has forgotten his Godhead, to see his wife dying slowly, and to know that he cannot help her. The Girl told Leo in those last months of all that she had said and done among the wives and the babies at the back of the roadside performances, and Leo was astonished that he knew so little of her who had been so much to him. When she was dying she told him never to fight for pence or quarrel with the other singers; and, above all, to go on with his singing immediately after she was dead.

Then she died, and after he had buried her he went down the road to a village that he knew, and the people hoped that he would begin quarrelling with a new singer that had sprung up while he had been away. But Leo called him "my brother." The new singer was newly married – and Leo knew it – and when he had finished singing Leo straightened himself, and sang the "Song of the Girl," which he had made coming down the road. Every man who was married, or hoped to be married, whatever his rank or colour, understood that song – even the bride leaning on the new husband's arm understood it too – and presently when the song ended, and Leo's heart was bursting in him, the men sobbed. "That was a sad tale," they said at last, "now make us laugh." Because Leo had known all the sorrow that a man could know, including the full knowledge of his own fall who had once been a God – he, changing his song quickly, made the people laugh till they could laugh no more. They went away feeling ready for any trouble in reason, and they gave Leo more peacock feathers and pence than he could count. Knowing that pence led to quarrels and that peacock feathers were hateful to the Girl, he put them aside and went away to look for his brothers, to remind them that they too were Gods.

He found the Bull goring the undergrowth in a ditch, for the Scorpion had stung him, and he was dying, not slowly, as the Girl had died, but quickly.

"I know all," the Bull groaned, as Leo came up. "I had forgotten, too, but I remember now. Go and look at the fields I ploughed. The furrows are straight. I forgot that I was a God, but I drew the plough perfectly straight, for all that. And you, brother?"

"I am not at the end of the ploughing," said Leo. "Does Death hurt?"

"No; but dying does," said the Bull, and he died. The cultivator who then owned him was much annoyed, for there was a field still unploughed.

It was after this that Leo made the Song of the Bull who had been a God and forgotten the fact, and he sang it in such a manner that half the young men in the world conceived that they too might be Gods without knowing it. A half of that half grew impossibly conceited, and died early. A half of the remainder strove to be Gods and failed, but the other half accomplished four times more work than they would have done under any other delusion.

Later, years later, always wandering up and down, and making the children of men laugh, he found the Twins sitting on the bank of a stream waiting for the Fishes to come and carry them away. They were not in the least afraid, and they told Leo that the woman of the House had a real baby of her own, and that when that baby grew old enough to be mischievous he would find a well-educated cat waiting to have its tail pulled. Then the Fishes came for them, but all that the people saw was two children drowning in a brook; and though their foster-mother was very sorry, she hugged her own real baby to her breast, and was grateful that it was only the foundlings.

Then Leo made the Song of the Twins who had forgotten that they were Gods, and had played in the dust to amuse a foster-mother. That song was sung far and wide among the women. It caused them to laugh and cry and hug their babies closer to their hearts all in one breath; and some of the women who remembered the Girl said: "Surely that is the voice of Virgo. Only she could know so much about ourselves."

After those three songs were made, Leo sang them over and over again, till he was in danger of looking upon them as so many mere words, and the people who listened grew tired, and there came back to Leo the old temptation to stop singing once and for all. But he remembered the Girl's dying words and went on.

One of his listeners interrupted him as he was singing. "Leo," said he, "I have heard you telling us not to be afraid for the past forty years. Can you not sing something new now?"

"No," said Leo; "it is the only song that I am allowed to sing. You must not be afraid of the Houses, even when they kill you."

The man turned to go, wearily, but there came a whistling through the air, and the arrow of the Archer was seen skimming low above the earth, pointing to the man's heart. He drew himself up, and stood still waiting till the arrow struck home.

"I die," he said, quietly. "It is well for me, Leo, that you sang for forty years."

"Are you afraid?" said Leo, bending over him.

"I am a man, not a God," said the man. "I should have run away but for your Songs. My work is done, and I die without making a show of my fear."

"I am very well paid," said Leo to himself. "Now that I see what my songs are doing, I will sing better ones."

He went down the road, collected his little knot of listeners, and began the Song of the Girl. In the middle of his singing he felt the cold touch of the Crab's claw on the apple of his throat. He lifted his hand, choked, and stopped for an instant.

"Sing on, Leo," said the crowd. "The old song runs as well as ever it did."

Leo went on steadily till the end, with the cold fear at his heart. When his song was ended, he felt the grip on his throat tighten. He was old, he had lost the Girl, he knew that he was losing more than half his power to sing, he could scarcely walk to the diminishing crowds that waited for him, and could not see their faces when they stood about him. None the less he cried angrily to the Crab:

"Why have you come for me now?"

"You were born under my care. How can I help coming for you?" said the Crab, wearily. Every human being whom the Crab killed had asked that same question.

"But I was just beginning to know what my songs were doing," said Leo.

"Perhaps that is why," said the Crab, and the grip tightened.

"You said you would not come till I had taken the world by the shoulders," gasped Leo, falling back.

"I always keep my word. You have done that three times, with three songs. What more do you desire?"

"Let me live to see the world know it," pleaded Leo. "Let me be sure that my songs – "

"Make men brave?" said the Crab. "Even then there would be one man who was afraid. The Girl was braver than you are. Come."

Leo was standing close to the restless, insatiable mouth. "I forgot," said he, simply. "The Girl was braver. But I am a God too, and I am not afraid."

"What is that to me?" said the Crab.

Then Leo's speech was taken from him, and he lay still and dumb, watching Death till he died.

Leo was the last of the Children of the Zodiac. After his death there sprang up a breed of little mean men, whimpering and flinching and howling because the Houses killed them and theirs, who wished to live forever without any pain. They did not increase their lives, but they increased their own torments miserably, and there were no Children of the Zodiac to guide them, and the greater part of Leo's songs were lost.

Only he had carved on the Girl's tombstone the last verse of the Song of the Girl, which stands at the head of this story.

One of the children of men, coming thousands of years later, rubbed away the lichen, read the lines, and applied them to a trouble other than the one Leo meant. Being a man, men believed that he had made the verses himself; but they belong to Leo, the Child of the Zodiac, and teach, as he taught, that what comes or does not come, we must not be afraid.

III
THE BRIDGE BUILDERS

The least that Findlayson, of the Public Works Department, expected was a C.I.E.; he dreamed of a C.S.I.: indeed his friends told him that he deserved more. For three years he had endured heat and cold, disappointment, discomfort, danger, and disease, with responsibility almost too heavy for one pair of shoulders; and day by day, through that time, the great Kashi Bridge over the Ganges had grown under his charge. Now, in less than three months, if all went well, His Excellency the Viceroy would open the bridge in state, an archbishop would bless it, the first train-load of soldiers would come over it, and there would be speeches.

Findlayson, C. E., sat in his trolley on a construction-line that ran along one of the main revetments – the huge, stone-faced banks that flared away north and south for three miles on either side of the river – and permitted himself to think of the end. With its approaches, his work was one mile and three-quarters in length; a lattice-girder bridge, trussed with the Findlayson truss, standing on seven-and-twenty brick piers. Each one of those piers was twenty-four feet in diameter, capped with red Agra stone and sunk eighty feet below the shifting sand of the Ganges' bed. Above them ran the railway-line fifteen feet broad; above that, again, a cart-road of eighteen feet, flanked with footpaths. At either end rose towers of red brick, loopholed for musketry and pierced for big guns, and the ramp of the road was being pushed forward to their haunches. The raw earth-ends were crawling and alive with hundreds upon hundreds of tiny asses climbing out of the yawning borrow-pit below with sackfuls of stuff; and the hot afternoon air was filled with the noise of hooves, the rattle of the drivers' sticks, and the swish and roll-down of the dirt. The river was very low, and on the dazzling white sand between the three centre piers stood squat cribs of railway-sleepers, filled within and daubed without with mud, to support the last of the girders as those were riveted up. In the little deep water left by the drought, an overhead-crane travelled to and fro along its spile-pier, jerking sections of iron into place, snorting and backing and grunting as an elephant grunts in the timber-yard. Riveters by the hundred swarmed about the lattice side-work and the iron roof of the railway-line, hung from invisible staging under the bellies of the girders, clustered round the throats of the piers, and rode on the overhang of the footpath-stanchions; their fire-pots and the spurts of flame that answered each hammer-stroke showing no more than pale yellow in the sun's glare. East and west and north and south the construction-trains rattled and shrieked up and down the embankments, the piled trucks of brown and white stone banging behind them till the side-boards were unpinned, and with a roar and a grumble a few thousand tons more material were thrown out to hold the river in place.

Findlayson, C. E., turned on his trolley and looked over the face of the country that he had changed for seven miles around. Looked back on the humming village of five thousand workmen; up stream and down, along the vista of spurs and sand; across the river to the far piers, lessening in the haze; overhead to the guard-towers – and only he knew how strong those were – and with a sigh of contentment saw that his work was good. There stood his bridge before him in the sunlight, lacking only a few weeks' work on the girders of the three middle piers – his bridge, raw and ugly as original sin, but pukka– permanent – to endure when all memory of the builder, yea, even of the splendid Findlayson truss, had perished. Practically, the thing was done.

Hitchcock, his assistant, cantered along the line on a little switch-tailed Kabuli pony, who, through long practice, could have trotted securely over a trestle, and nodded to his chief.

"All but," said he, with a smile.

"I've been thinking about it," the senior answered, "Not half a bad job for two men, is it?" "One – and a half. 'Gad, what a Cooper's Hill cub I was when I came on the works!" Hitchcock felt very old in the crowded experiences of the past three years, that had taught him power and responsibility.

"You were rather a colt," said Findlayson. "I wonder how you'll like going back to office work when this job's over."

"I shall hate it!" said the young man, and as he went on his eye followed Findlayson's, and he muttered, "Is n't it good?"

"I think we'll go up the service together," Findlayson said to himself. "You're too good a youngster to waste on another man. Cub thou wast; assistant thou art. Personal assistant, and at Simla, thou shalt be, if any credit comes to me out of the business!"

Indeed, the burden of the work had fallen altogether on Findlayson and his assistant, the young man whom he had chosen because of his rawness to break to his own needs. There were labour-contractors by the half-hundred – fitters and riveters, European, borrowed from the railway workshops, with perhaps twenty white and half-caste subordinates to direct, under direction, the bevies of workmen – but none knew better than these two, who trusted each other, how the underlings were not to be trusted. They had been tried many times in sudden crises – by slipping of booms, by breaking of tackle, failure of cranes, and the wrath of the river – but no stress had brought to light any man among them whom Findlayson and Hitchcock would have honoured by working as remorselessly as they worked themselves. Findlayson thought it over from the beginning: the months of office work destroyed at a blow when the Government of India, at the last moment, added two feet to the width of the bridge, under the impression that bridges were cut out of paper, and so brought to ruin at least half an acre of calculations – and Hitchcock, new to disappointment, buried his head in his arms and wept; the heart-breaking delays over the filling of the contracts in England; the futile correspondences hinting at great wealth of commission if one, only one, rather doubtful consignment were passed; the war that followed the refusal; the careful, polite obstruction at the other end that followed the war, till young Hitchcock, putting one month's leave to another month, and borrowing ten days from Findlayson, spent his poor little savings of a year in a wild dash to London, and there, as his own tongue asserted, and the later consignments proved, put the Fear of God into a man so great that he feared only Parliament, and said so till Hitchcock wrought with him across his own dinner-table, and – he feared the Kashi Bridge and all who spoke in its name. Then there was the cholera that came in the night to the village by the bridge-works; and after the cholera smote the small-pox. The fever they had always with them. Hitchcock had been appointed a magistrate of the third class with whipping powers, for the better government of the community, and Findlayson watched him wield his powers temperately, learning what to overlook and what to look after. It was a long, long reverie, and it covered storm, sudden freshets, death in every manner and shape, violent and awful rage against red tape half frenzying a mind that knows it should be busy on other things; drought, sanitation, finance; birth, wedding, burial, and riot in the village of twenty warring castes; argument, expostulation, persuasion, and the blank despair that a man goes to bed upon, thankful that his rifle is all in pieces in the gun-case. Behind everything rose the black frame of the Kashi Bridge – plate by plate, girder by girder, span by span – and each pier of it recalled Hitchcock, the all-round man, who had stood by his chief without failing from the very first to this last. So the bridge was two men's work – unless one counted Peroo, as Peroo certainly counted himself. He was a lascar, a Kharva from Bulsar, familiar with every port between Rockhampton and London, who had risen to the rank of serang on the British India boats, but wearying of routine musters and clean clothes, had thrown up the service and gone inland, where men of his calibre were sure of employment. For his knowledge of tackle and the handling of heavy weights, Peroo was worth almost any price he might have chosen to put upon his services; but custom decreed the wage of the overhead-men, and Peroo was not within many silver pieces of his proper value. Neither running water nor extreme heights made him afraid; and, as an ex-serang, he knew how to hold authority. No piece of iron was so big or so badly placed that Peroo could not devise a tackle to lift it – a loose-ended, sagging arrangement, rigged with a scandalous amount of talking, but perfectly equal to the work in hand. It was Peroo who had saved the girder of Number Seven Pier from destruction when the new wire rope jammed in the eye of the crane, and the huge plate tilted in its slings, threatening to slide out sideways. Then the native workmen lost their heads with great shoutings, and Hitchcock's right arm was broken by a falling T-plate, and he buttoned it up in his coat and swooned, and came to and directed for four hours till Peroo, from the top of the crane reported, "All's well," and the plate swung home. There was no one like Peroo, serang, to lash and guy and hold, to control the donkey-engines, to hoist a fallen locomotive craftily out of the borrow-pit into which it had tumbled; to strip and dive, if need be, to see how the concrete blocks round the piers stood the scouring of Mother Gunga, or to adventure up-stream on a monsoon night and report on the state of the embankment-facings. He would interrupt the field-councils of Findlayson and Hitchcock without fear, till his wonderful English, or his still more wonderful lingua-franca, half Portuguese and half Malay, ran out and he was forced to take string and show the knots that he would recommend. He controlled his own gang of tacklemen – mysterious relatives from Kutch Mandvi gathered month by month and tried to the uttermost. No consideration of family or kin allowed Peroo to keep weak hands or a giddy head on the pay-roll. "My honour is the honour of this bridge," he would say to the about-to-be dismissed. "What do I care for your honour? Go and work on a steamer. That is all you are fit for."

The little cluster of huts where he and his gang lived centred round the tattered dwelling of a sea-priest – one who had never set foot on Black Water, but had been chosen as ghostly counsellor by two generations of sea-rovers, all unaffected by port missions or those creeds which are thrust upon sailors by agencies along Thames' bank. The priest of the lascars had nothing to do with their caste, or indeed with anything at all. He ate the offerings of his church, and slept and smoked, and slept again, "for," said Peroo, who had haled him a thousand miles inland, "he is a very holy man. He never cares what you eat so long as you do not eat beef, and that is good, because on land we worship Shiva, we Kharvas; but at sea on the Kumpani's boats we attend strictly to the orders of the Burra Malum (the first mate), and on this bridge we observe what Finlinson Sahib says."

Findlayson Sahib had that day given orders to clear the scaffolding from the guard-tower on the right bank, and Peroo with his mates was casting loose and lowering down the bamboo poles and planks as swiftly as ever they had whipped the cargo out of a coaster.

From his trolley he could hear the whistle of the serang's silver pipe and the creak and clatter of the pulleys. Peroo was standing on the topmost coping of the tower, clad in the blue dungaree of his abandoned service, and as Findlayson motioned to him to be careful, for his was no life to throw away, he gripped the last pole, and, shading his eyes ship-fashion, answered with the long-drawn wail of the fo'c'sle lookout: "Ham dekhta hai" ("I am looking out"). Findlayson laughed, and then sighed. It was years since he had seen a steamer, and he was sick for home. As his trolley passed under the tower, Peroo descended by a rope, ape-fashion, and cried: "It looks well now, Sahib. Our bridge is all but done. What think you Mother Gunga will say when the rail runs over?"